Why we still start every project on paper
Before the grids, components and polished decks, we use paper to find the question the project actually needs to answer.
Independent creative practice / Worldwide
Journal / Notes
Before the grids, components and polished decks, we use paper to find the question the project actually needs to answer.
A durable identity is not visually neutral. It is built from specific decisions that can keep producing useful variation.
How memory, changing daylight and public participation became a flexible identity for a year-long cultural programme.
How to build a clear visual rhythm without making every project look like it came from the same brief.
Expressive websites often become fragile. We use a small set of editorial rules to keep personality and maintainability together.
Type systems age well when hierarchy and rhythm do the hard work instead of novelty alone.
A useful colour system tells people what matters, what belongs together and what action is possible.
The hardest client was our own studio. These are the decisions that finally moved the project forward.
A calm framework for reviewing work, finances, relationships and direction without turning the studio into a spreadsheet.
A monthly note about prototypes, rejected directions and the work that is still finding its form.
Books, paper samples, tools and references currently shaping the studio’s work.
A considered list of books, tools and working references that continue to earn a place in our process.